The theft was discovered last 11 March : Christ at Emmaüs by Emil Nolde - a native of both Germany and Denmark - disappeared from the church of Olstrup where it hung and for which it had been produced in (...)
Projecting an almost schizophrenic personality, the Centre Pompidou Metz is an anti-Centre Pompidou Metz. While the latter offers fifteen poor masterpieces absolutely unrelated and with no unifying theme, the former proposes a fascinating trip, (...)
Germany and France each had its separate Fauve movements but the boundaries between them remained open. The members of Die Brücke and Fauvism observed each other carefully, sharing the same desire to exalt color and liberate line, even if the (...)
Although German expression, even according to the organisers of this exhibition “is still a new subject in France”, what should be said about Emil Nolde, who is no doubt its most flamboyant representative, as we have had to wait until 2008 to see (...)