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Francesco Guardi (1712-1793)

  • News Items : A Francesco Guardi for the Ashmolean Museum 23/01/2014

    The Ashmolean recently received a donation through Acceptance in Lieu of an unpublished painting by Francesco Guardi entitled Venice : the Fondamenta Nuove with the Lagoon and the Island of San Michele, produced in 1758. A subsidy provided by (...)

    Lire la suite par Bénédicte Bonnet Saint-Georges

  • Exhibitions : Two Exhibitions in Paris on Canaletto 07/11/2012

    Anyone strolling through Paris, lovers of Italian painting and even the most uninformed know by now that Canaletto is the subject of two exhibitions currently showing simultaneously at two different venues, the first at the Musée (...)

    Lire la suite par Bénédicte Bonnet Saint-Georges

  • News Items : Recent Acquisitions by the Museo Poldi Pezzoli 26/09/2012

    In 1881, the Milanese aristocrat Gian Giacomo Poldi Pezzoli transformed his wealthy residence into a museum in order to present his extensive collections of paintings and decorative arts to the public. This example was instrumental in the (...)

    Lire la suite par Benjamin Couilleaux

  • Exhibitions : An Intimate Universe. Paintings from the Frits Lugt Collection 04/04/2012

    Famous for the quantity and quality of its old master drawings, the Frits Lugt collection also holds an ensemble of paintings which are currently being highlighted in an exhibition at the Institut néerlandais, following a campaign of restoration (...)

    Lire la suite par Bénédicte Bonnet Saint-Georges

  • Exhibitions : Venice. Canaletto and his Rivals 25/10/2010

    I admit I went to the National Gallery dragging my feet a little. I have never been particularly enamoured of Canaletto, nor of Venetian view painting in general, their paintings seeming at times very repetitive and in many cases mediocre. This (...)

    Lire la suite par Didier Rykner

  • News Items : Guardi and Dyce, two paintings acquired by the National Museum of Wales in Cardiff 01/09/2010

    The Welsh museum has just received a painting by Francesco Guardi as “acceptance in lieu”. Since the price of the work exceeded the tax amount due, the museum also paid 85.000 £ of which 20.000 was provided by The Art (...)

    Lire la suite par Didier Rykner