Among the positive actions exerted by Henri Loyrette as head of the Louvre there is the undeniable effort to extend the scope of the painting and sculpture collections to previously unexplored territories. This was notably the case first for (...)
When asked in an interview for Le Petit Parisien in April 1935 "What made you start painting ?", Paul Signac, then 71, answered : "It was Monet [...]. Monet, he added, who determined his fate as a painter on a day in June 1880 when, still a lycée (...)
Here a Macabre Vision, there a Scene of Desolation rise in black or brown ink, India ink, graphite and charcoal... The dark drawings in "broyeur de sombre", as Bourdelle defined himself, are now displayed in full light, no doubt impregnated with (...)
We will soon be able to see the exhibition currently showing in Abou-Dhabi here in Paris but a glance at the accompanying catalogue already gives us a good idea of the acquisitions policy pursued by France-Museums. We said it before : whether (...)
After closing for ten years, due to various delays in the renovation project, the Rijksmuseum finally reopened its doors to the public on 13 April. Fortunately, it was well worth the wait. When first learning that Wilmotte was in charge of the (...)
Comparing is not enough. The Haarlem exhibition on Frans Hals, an "adoptive" native son, which attempts to associate the artist with 16th century Venetian painting and also with some of his contemporaries, is a perfect illustration of these (...)
Libération in a byline signed Vincent Noce was the first to break the news. We congratulate him for his investigation on the snags encountered in the Louvre Abou-Dhabi project and for having managed to put his hands on the letter sent by the (...)
