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A New Proposed Attribution for the Saint Cecilia in Dulwich 10/01/2012
The recent unveiling of the Dulwich Picture Gallery’s newly-restored Saint Cecilia has aroused much interest because of its uncertain attribution. ‘Dulwich Picture Gallery saves St Cecilia from ruin – but who painted her ?:as the rescued baroque (...)
Read the entire article by Chris Michaelides
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A Proposed Attribution for the Saint Cecilia in Dulwich 07/01/2012
From what we can see in the photograph published by The Art Tribune, the Saint Cecilia in Dulwich proves its Ferrara origins rather than Bologna. The painting should be studied in connection with the production of Carlo Bonone (1569-1632), an (...)
Read the entire article by Alessandro Morandotti
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Outside the French-Spanish Exchanges of 1941. Viollet-le-Duc’s Cabinet : A Case where Deaccessioning Was Happily Avoided 02/01/2012
An indirect, and unexpected, consequence of the French-Spanish exchanges of 1941, the transfer to Spain of a large part of the Visigoth crowns from the Musée de Cluny resulted in another case of potential deaccessioning which is well worth (...)
Read the entire article by Jacques Foucart
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Caravaggio and Loches. An Andalusian Footnote to the Debate 23/12/2011
The affair has been discussed and the debate now closed : in nearly six years, none of the Caravaggio specialists has considered or published the two paintings from Loches as originals despite their prestigious pedigree, a logical consequence of (...)
Read the entire article by Pierre Curie
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A painting by Claude Deruet in Montivilliers (France) 10/12/2007
Founded in 684 by Saint Philibert (who also started Jumièges), the Benedictine abbey for women in Montiviliers near Le Havre owns an interesting art collection, mostly seventeenth century, with works painted for it (Sacquespée, La Court) or (...)
Read the entire article by Jean-Christophe Baudequin
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Sculpture by Carpeaux, Dalou and Carriès at The Petit Palais 12/09/2007
During the nineteenth century beginning with the art of David d’Angers and François Rude, in particular, and continuing through the work of Rodin a small number of independent-minded sculptors in France who were committed to an art of their own (...)
Read the entire article by Phillipe Dennis Cate
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A Benediction Scene from the workshop of Simon Vouet 22/06/2007
1. Here ascribed to Michel Dorigny (1617-1665)
Benediction Scene
Oil on canvas - 200 x 150 cm (about)
Droué, church
Photo : M. Weil-Curiel
This painting (ill. 1 and 2) which hangs in the parish church in Droué (Loir-et-Cher, France) was (...)
Read the entire article by Moana Weil-Curiel
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Two Bonnassieux works for the church of Saint-Medard in Tremblay-en-France 14/05/2007
The church of Saint Médard in Tremblay-en-France is getting a face lift. It has just undergone a complete restoration of its architecture as well as some of its furnishings, a project under the scientific supervision of Serge Pitiot, head curator (...)
Read the entire article by Géraldine Lavigne