When an exhibition is shown in two different places, it is often wise to see it in both as oftentimes the arrangement of the works varies so much depending on the size of the rooms. Whereas the Mellin retrospective at the Musee des Beaux-Arts (...)
This is a fascinating exhibition of thirty-eight paintings and a catalogue which is just as remarkable : even the awful arrangement in which the canvases deprived of daylight are overwhelmed by the black walls and an exasperating (...)
Italian publishing has again confirmed its vitality : a Baroque painter active in Rome and Naples in the second half of the 17th century, Giovanni Battista Beinaschi (Fossano (Cuneo), 1636 - Naples, 1688), relatively unknown to the general (...)