Bénédicte Bonnet Saint-Georges

Articles

  • The new directors of the museums of Lille and Strasbourg

    New curators have arrived at the helm of the museums of Lille and Strasbourg in recent months. The Palais des Beaux-Arts and the Musée de l’Hospice Comtesse in Lille have been headed by Juliette…

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  • Fundraising for the Musée des Impressionnismes de Giverny

    The first Impressionist exhibition opened in Paris in 1874. Several museums are celebrating this 150th anniversary, including the one in Giverny, which has the audacity to tackle a relatively…

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  • Predictions. Artists face the future

    La sibylle de Panzoust dévoilait à ses visiteurs d’abord leur avenir puis son postérieur. Panurge vint la trouver pour s’avoir s’il devait se marier. Après avoir ausculté des feuilles d’arbres «elle se…

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  • Théodore Rousseau (1812-1867). The voice of the forest

    Théodore Rousseau (1812-1867). La voix de la forêt Paris, Petit Palais, Musée des Beaux-Arts de la Ville de Paris, from 5 March to 7 July 2024. Relegated to the rank of ‘tartouillades’, ‘bastard…

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  • A Manfredi for the Getty

    It’s a happy company, at least at first sight. A group of men are drinking wine around an improvised table that looks like an ancient Roman altar, while listening to one of them play the lute.…

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  • Impossible to escape the Olympic Games

    "There may be some who would like to do something else..." suggested Raymond Devos, a French comedian, in a falsely ingenuous tone in a sketch entitled "Faites l’amour, pas la guerre" ("Make love,…

  • A work by Rebecca Solomon for two English museums

    It is a painting that has everything to please today’s museums, presented as ‘a complex reflection on gender, race, religion and education in mid-nineteenth-century London’. Painted in 1861 by a…

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  • Restorations at the Musée des Beaux-Arts in Rennes

    The DJ (or disc-jockeys) of electro music - the Shindi collective - asked the Musée des Beaux-Arts in Rennes to shoot a video clip in the heart of the permanent exhibition. There was no danger to…

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  • A painting by Alonso Cano acquired for Córdoba

    Bent over or standing, with his arms tied behind his back or on his stomach, surrounded by his executioners or alone, Christ at the column is a subject that allows artists to depict a naked body,…

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