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The Art Tribune

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  • Imperiled museums (1) : Auxerre

    3 December 2009, by Didier Rykner
    This article inaugurates a series which, alas, threatens to be a long one: that of closed museums, either partially or totally, those abandoned by cities in a state of vegetation and with no (...) continue continue
  • Wintzenheim, more vandalism in the offing?

    3 December 2009, by Korbus and Didier Rykner
    The Alsatian community of Wintzenheim, near Colmar, had made the news sadly a few months ago in devastating the exterior sculptures of the Hertzog chapel (see article). A Neo-Gothic construction (...) continue continue
  • De la scène au tableau

    3 December 2009, by Didier Rykner
    The goal of the exhibition organized at the Musée Cantini is to understand the relationship between theatre and painting from the second half of the 18th century to the early 20th. This is (...) continue continue
  • The sacred made real. Spanish Painting and Sculpture 1600-1700

    22 November 2009, by Véronique Gérard-Powell
    The Sacred Made Real is a result of Xavier Bray’s enthusiasm and perseverance. Curator of Spanish Paintings at the National Gallery in London, he is naturally the curator of this exhibition, (...) continue continue
  • The museum in Montmartre in danger

    21 November 2009, by Didier Rykner
    The Musée de Montmartre is managed by the Société du Vieux Montmartre which originated in 1886 and since 1960 is located in one of the oldest houses on the hill (ill. 1), dating from the 17th (...) continue continue

    Latest news

    • Guercino’s Lot and his Daughters acquired by Toledo 13 January 2010
    • A new electronic journal on Dutch art 13 January 2010
    • Saint John the Baptist by Leonardo moves on to Rome 13 January 2010
    • Restorations of 19th century sculptures in Lille 11 January 2010
    • An important donation on exhibition at the Palais des Beaux-Arts in Lille 11 January 2010
    • A monumental vase by Ringel d’Illzach joins the Getty Museum 11 January 2010
    • La Belle Ferroniere and La Belle Jardiniere expected to arrive shortly in Milan 11 January 2010
    • The Italian Court of Audit investigating the acquisition of the Crucifix attributed to Michelangelo 11 January 2010
    • The sale of French heritage censured by the Conseil Constitutionnel 11 January 2010
    • A Degas pastel from the Musee d’Orsay stolen in Marseille 7 January 2010
    • The Odiot holdings join the Musee des Arts Decoratifs 7 January 2010
    • A large plaster cast by Robert Coin acquired by Lille 22 December 2009
    • Dantan exhibition at the Galerie Talabardon & Gautier 9 December 2009
    • Two Northern paintings acquired by Châlons-en-Champagne 8 December 2009
    • Exhibition of 18th and 19th century works at the Galerie Terrades 8 December 2009

    continue To the news

    Editorial

  • ENI, vidi, Vinci

    3 December 2009, by Didier Rykner
    ENI, an Italian firm, is one of the world’s largest petroleum companies. Its turnover in 2008 totaled 108 billion euros resulting in profits of 8.8 billion. ENI, thus has money, lots of it, which it uses at times as an arts patron. Thus the Louvre received aid for its exhibitions on Mantegna and the one currently showing under the pyramid, Titian, Tintoretto, Veronese. Rivalry in Venice. Both exhibitions were extremely successful. It will also finance a retrospective highlighting Raphael’s last years in 2012. continue continue

Exhibitions

  • James Ensor

    22 November 2009, by Jean-David Jumeau-Lafond
    This exhibition was organized in collaboration with the Museum of Modern Art in New York where it was presented from June to September 2009. Curators from both museums have thus worked jointly (...) continue continue
  • Turner and the Masters

    1 November 2009, by Stéphane Guégan
    Before opening at the Grand Palais on 22 February of next year, Turner and the Master has welcomed its first visitors, both numerous and enthusiastic, in London. This is due reward for a (...) continue continue
  • Marguerite Gérard

    22 October 2009, by Didier Rykner
    Her name always linked to her master Fragonard – and the current exhibition is no exception to the rule – Marguerite Gérard always had a difficult time existing in her own right in the eyes of later (...) continue continue
  • Art Nouveau Revival 1900. 1933. 1966. 1974

    22 November 2009, by Jean-David Jumeau-Lafond
    Though Art Nouveau is today a major and undisputed category in art history and is correctly considered one of the great moments of our civilization, we tend to forget at times the scorn and (...) continue continue
  • Fernand Pelez. La parade des humbles

    22 October 2009, by Stéphane Guégan
    In December 1913, a few months after he died, Fernand Pelez’ friends and family organized a retrospective of his work in his sumptuous workshop, at the foot of Montmartre: half a century of an (...) continue continue
  • Louis Comfort Tiffany. Color and light

    14 October 2009, by Jean-David Jumeau-Lafond
    Although productions of French and Belgian Art Nouveau, as well as those from other Eastern European countries, had been highlighted in major exhibitions in France and Europe, Tiffany, this (...) continue continue

Publications

  • Vincent van Gogh, The Lettres

    12 November 2009, by Stéphane Guégan
    Writing to his brother, on Sunday 25 March 1888, Van Gogh remarked: “it might be interesting to save correspondence between artists.” This letter, which deserves to be preserved and studied, had (...) continue continue
  • Louyse Moillon. Still-lifes in the Grand Siècle. Catalogue raisonné

    20 April 2009, by Didier Rykner
    Some books defy critical review. It would be easier to simply not even attempt it and brush them off politely but this has not been our choice of solution. The lack of a monographic study on (...) continue continue

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